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Sophie Thompson: “I’ve cunningly managed to keep a low profile"
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Crystal Pite: Light of Passage review at the Royal Opera House, directed by Kevin O’Hare
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The P Word review at Bush Theatre, London, by Waleed Akhtar
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Reece Shearsmith: 'I don’t think I’m a comedian. I’m just an actor'
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Starlight Express review at Troubadour Wembley Park, London, originally cre…
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An Inspector Calls review at New Wimbledon Theatre, London directe…
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Susan Wokoma to host The Stage Debut Awards 2022
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The Invention of Love review at Hampstead Theatre, London by To…
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Mischief Festival review at the Other Place, Stratford-upon-Avon including …
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David Horovitch: ‘I’ve never wanted to do anything but act, I don’t want to re…
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Much Ado About Nothing review at Crucible Theatre, Sheffield, Shakesp…
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Bluey’s Big Play review at Royal Festival Hall, London
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Matt Smith to star in Thomas Ostermeier’s reimagining of An Ene…
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The Greatest Showman's Keala Settle: ‘My agent asked me what I wanted t…
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Richard Cant: ‘Taking As You Like It to post-revolutionary Romania was lik…
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Director Emma Rice: ‘All I want to do is make work that touche…
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Ruth Jones to star in West End's Sister Act
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Shifters review at Bush Theatre, London, by Benedict Lombe, similar t…
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What skills does a musical theatre performer need to thrive today?
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Joe McFadden: ‘I’m one of those weird actors who actually enjoys being out …
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Sarah Jessica Parker to make West End debut in Plaza Suite
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West End sound designer Gareth Owen receives award for contributio…
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Callum Scott Howells joins National Theatre's 2023 season in Romeo an…
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Howard Sherman: Covid may be behind us, but shows today are still v…
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Noughts and Crosses review at York Theatre Royal, by Malorie Blackman
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Michelle Donelan remains culture secretary under Rishi Sunak leadership
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