Nothing sounded dated about either Tilson Thomas’s edgy, dramatically alert musical language or Whitman’s poems, first ...

Seraphim utilized the space to its utmost in O nata lux de lumine by Kerry Andrew, the sopranos in the back apse initially ...

The duo’s first offering, Schumann’s Stücke im Volkston was a late substitution for Che Buford’s Resonances of Spirit. Though ...

For their part, Guerrero and the orchestra were largely attuned to the score’s dynamic plays of contrast, especially those of ...

There is a common misconception about the music Ludwig van Beethoven wrote during the so-called “early period” of his career in the 1790s. To wit that, because he spent those years studying with Franz ...

Lang Lang remains a classical music superstar—especially among the younger listeners—and the pianist’s sold-out appearance ...

The Boston Symphony Orchestra presented a program of Liadov, Bartók, and Rachmaninoff Thursday evening at Symphony Hall. Led by conductor Eun Sun Kim in her BSO debut and featuring pianist Inon ...

On paper, the lineup for pianists Víkingur Ólafsson and Yuja Wang’s duo recital on Friday at Symphony Hall didn’t make much sense. John Cage and Conlon Nancarrow, for instance, don’t normally share ...

There was something fitting about the Boston Philharmonic Orchestra offering Gustav Mahler’s Symphony No. 4 on Sunday at Symphony Hall. It wasn’t just because the sleigh bells at the start of its ...